Snow snuffs out anything that may get in its way, but it is also an exceptionally fragile thing that needs constant reinforcement. Third, snow in the novel is a symbol of potentiality-the idea that, under the silent majesty of a snow blanket, anything can be hidden or silenced, as well as imagined or possible. This leads us to the second point about snow in Pamuk's novel-that is, that snowflakes' individual uniqueness (though they may appear similar to other snowflakes when viewed collectively or from afar) is parallel to the uniqueness of human beings, who have similar lives that nonetheless each trace their own geometries. This reinforces the idea that each minor detail of the text is part of a preordained divine unity, and it also strengthens one of the primary symbolic meanings of snow as an object in the novel. First and foremost, it is important that the snow, which seems to be omnipresent in the city of Kars, bears a certain linguistic resemblance to both our novel's setting and protagonists (since "Snow" in Turkish is Kar, nearly identical to both Ka and Kars). As is evident even in the novel's title, snow is a particularly important symbol in the text.
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